Erkenci Kuş, 45. bölüm yazısına yapılan yorumlar https://dizisin.com/blog/erkenci-kus-45-bolum.html Dizilerin ayak izi! Sun, 30 Jun 2019 22:17:15 +0000 hourly 1 https://wordpress.org/?v=6.2.2 Yazar: Sinem ÖZCAN https://dizisin.com/blog/erkenci-kus-45-bolum.html#comment-5780 Sun, 30 Jun 2019 22:17:15 +0000 https://dizisin.com/?p=10670#comment-5780 amber prada yorumuna yanıt olarak.

Thank you very much for your very nice comment

]]> Yazar: amber prada https://dizisin.com/blog/erkenci-kus-45-bolum.html#comment-5778 Sun, 30 Jun 2019 19:23:32 +0000 https://dizisin.com/?p=10670#comment-5778 I hope to be alive to prove Can Yaman’s transformation into a sacred monster of international cinema. If it were to be defined it would be merging the peculiar multivalence of its interpretation in the most diverse situations, where it stimulates the surprise and the improvisation, enchants and it performs of surprising form, almost irreverent; to the interpretation of an actor that made the impossible in the possible, the sinister in the fascinating, the universe itself: Marlon Brando.
His side Marlon Brando intersects with that of another icon of the seventh art: Charles Chaplin. Yaman embodies both extremes: both grace and humor as well as despair and melancholy. Everything works well on mimic facial and pantomine, gestures, body language and … his eyes! Ah … his eyes … speak for what and why? His gaze speaks, cries for in silence.
Yaman makes his character speak without uttering a word.
The universe of art will know and applaud the attributes that already illuminate the star of Can Yaman.

(I apologise for the bad google translation)

]]> Yazar: amber prada https://dizisin.com/blog/erkenci-kus-45-bolum.html#comment-5777 Sun, 30 Jun 2019 19:15:01 +0000 https://dizisin.com/?p=10670#comment-5777 I hope to be alive to prove Can Yaman’s transformation into a sacred monster of international cinema. If it were to be defined it would be merging the peculiar multivalence of its interpretation in the most diverse situations, where it stimulates the surprise and the improvisation, enchants and it performs of surprising form, almost irreverent; to the interpretation of an actor that made the impossible in the possible, the sinister in the fascinating, the universe itself: Marlon Brando.
His side Marlon Brando intersects with that of another icon of the seventh art: Charles Chaplin. Yaman embodies both extremes: both grace and humor as well as despair and melancholy. Everything works well on mimic facial and pantomine, gestures, body language and … your eyes! Ah … your eyes … speak for what and why? His gaze speaks, he cries in silence.
Yaman makes his character speak without uttering a word.
The universe of art will know and applaud the attributes that already illuminate the star of Can Yaman.
 
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